Poster of Ballet 422

Ballet 422

Documentary, Music, Sport

Director: Jody Lee Lipes

Release Date: April 19, 2014

Where to Watch

Ballet 422 is a documentary that demands your complete attention, but may not be able to hold it. The only orientation provided are the occasional text notes to let you know that you are watching Justin Peck, a dancer of little renown, choreograph the 422nd ballet for the New York City Ballet. We are not told much else, but act as a fly on the wall as he choreographs it by himself in the studio and at home, instructs the dancer, works with lighting, costume designers, conductors, etc. We get a sense of what every day is like, but only snippets otherwise Ballet 422 would be way longer than 75 minutes.
Ballet 422 is concerned about documenting the process, but in this case, showing and not telling leads to little enlightenment for the viewer. I would have been fine with this approach if I got to see how all the parts became whole, but Ballet 422 only gives snippets of the performance too. The best part of Ballet 422 is the end when it shows Peck rushing off after his ballet’s debut to prepare to dance.
Otherwise Ballet 422 is frustrating. I have no idea how this ballet continues the grand tradition of the New York City Ballet or if it does not. I have no idea why Peck made certain choices, and the natural ways that he comprised with others to bring his vision to life. I have no idea how experienced or inexperienced those around him are in working with young choreographers-did they arrive at their current position in a similar fashion. The special features provide much needed explanation, but too little of it, too late.
I read a review that suggested there was a catty moment between Parks as he discussed the lead male dancer’s performance with another colleague. I missed that if it even happened. I only saw daily calm work life, but maybe it was a blink, and you’ll miss it moment. Perhaps Ballet 422’s audience is only people who know more about the New York City Ballet or ballet in general. I love dance and prefer PBS’ pedantic documentary style, but I am open to trying new things and being lost; however I do not think that Ballet 422 was made for viewers like me. For those who are not open to just watching something and not understanding what is going on, like my mother, those people should definitely skip Ballet 422.

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